The Simurgh features strongly in Persian mythology and a number of the great epic poems of Persian literature. It is said to be a mixture of peacock, griffon and lion symbolises the union of heaven and earth.
In his epic poem The Conference of the Birds, Fariduddin Attar describes how millions of birds went in search for their perfect king, the great bird Simurgh. Many of the birds were killed during their ordeals in search of the Simurgh – climbing high peaks and plunging into dark valleys as well as fighting their own doubts and fears.
At the end of their search only thirty birds remain to reach the gates of Simurgh’s palace. They all alight onto the throne or masnad which is described as being the seat of the Majesty and the Glory. The throne, however, remains empty and there is no sign of the Simurgh. It then becomes clear to the birds, through an inner glow which spreads through them all, that they, together, make up the Presence of the Simurgh and that the Simurgh is really just their joint presence. A literal translation of Simurgh is “Thirty Birds”.
They embark upon the nearly infinite adventure. They pass through seven valleys or seas; the name of the penultimate is Vertigo; the last, Annihilation. Many pilgrims give up; others perish. Thirty, purified by their efforts, set foot on the mountain of the Simurgh. At last they gaze upon it: they perceive that they are the Simurgh and that the Simurgh is each one of them and all of them. In the Simurgh are the thirty birds and in each bird is the Simurgh.